Broadcast Equipment for Production Partners

Equipment, crew
and workflow.

Broadcast equipment and experienced video crew from Braunschweig

For agencies, event technical teams and production partners, we supply the missing video and broadcast elements as a managed system, prepared, compatible and operated by specialists.

Studio4x camera operator with a studio camera on tracks in front of a panel discussion at a corporate event

OUR CORE EXPERTISE

Video crew who
understand production.

Our crew expertise centres on video, vision direction, cameras, PTZ and broadcast engineering. We work as a complete crew or as a clearly defined part of a larger production.

Vision Direction & Mixing

Programme output, playback, graphics, recording and confident decisions throughout a live production.

Broadcast Engineering & Video Systems

Planning, testing and operating video, camera, signal, network and remote workflows, including shading, CCU and camera control.

Camera Operator · Pedestal & Studio

Shot composition, smooth movement and an understanding of the stage, direction, timing and client needs.

PTZ Operator & Remote Cameras

Operating multiple remote cameras attentively, with repeatable moves that serve the programme.

PRODUCTION SYSTEMS

The equipment that matters.
Organised by workflow.

Coordinated system families for studio, events, streaming and remote production.

BLACKMAGIC BROADCAST

Studio Cameras & Vision Control

URSA Broadcast G2, broadcast zoom, hybrid fibre, CCU and prompters combine with Constellation, ATEM and HyperDeck workflows.

URSA G24 M/E · 12G STUDIO2 M/E · 3G MOBILECCU / TALLY
PANASONIC PTZ

Remote Cameras under Control

AW-UE160 and multiple AW-UE100 cameras with AW-RP150 control for repeatable perspectives in the studio and on location.

AW-UE160AW-UE100AW-RP150PTZ
VMIX & STREAMING

Software-based Live Production

vMix systems for streaming, graphics, remote guests, recording and flexible hybrid production workflows.

vMixREMOTE GUESTSGRAPHICSRECORDING
REMI & IP

Separate locations. One production.

Signal transport, primary and redundant uplinks, return video, intercom/IFB, monitoring and handover formats are planned as one controlled remote workflow.

REMI10GDUAL 5GVPN
AUDIO & MADI

Networked Audio Infrastructure

Avantis and SQ-5 with gigaACE/GX4816, RME MADIface XT II and SuperMADI as managed elements for broadcast and events.

AVANTISSQ-5MADIGIGAACE
LIGHTING & COMMUNICATION

Reliable Production Support

Aputure lighting, ChamSys control, intercom and crew radios complement the video workflow according to each project’s needs.

APUTURECHAMSYSINTERCOMRADIOS
FOR TECHNICAL PLANNERS & PRODUCTION PARTNERS

Components, interfaces and applications in detail.

Our technical page presents selected camera chains, control systems, vMix/REMI workflows, networks and audio, lighting and communication components.

Explore Systems & Equipment ↗︎

12G-SDI · STUDIO

4K UHD

HYBRID FIBRE

4 M/E STUDIO

3G-SDI · 2 M/E MOBILE

VMIX

REMI

MADI

GIGAACE

10G NETWORK

DUAL 5G

TALLY / CCU

FOR PRODUCTION PARTNERS

Agreeing interfaces
before the first cable.

Can Studio4x handle just one part of a production?

Yes. For example, we can add camera chains, PTZ, vision control, streaming, recording, REMI infrastructure or video crew, coordinating the interfaces with your production.

Is dry hire available?

No. Our systems are supplied only after preparation and with technical support. This protects the equipment, workflow and production reliability.

Can the equipment be used throughout Germany?

Yes. Based in Braunschweig, we produce locally and throughout Germany, in the studio, on location or as a distributed remote or REMI production.

Is the detail page a complete inventory?

No. It shows production-relevant systems and highlights. We confirm stock, availability, standards and interfaces to suit your project during the technical briefing.

TECHNICAL BRIEFING

Which part of your production
can we support?

An initial idea is enough. We will clarify the objective, format, production location and a realistic next step.